The Absurdities of the Inbox

It begins, always, with the number.
A red badge, glowing like a wound: 72 unread overnight. Which is remarkable, considering I went to bed at zero. I don’t know whether to feel popular or hunted. My inbox behaves less like a postbox and more like a compost heap: turn your back for a moment and things are already multiplying, rotting, sprouting.

The Theatre of Control

We like to pretend the inbox is manageable. That with the right folders, the right rules, the right unsubscribes, we might finally impose order.
We will not.
The inbox is a junk drawer with a search bar, a conveyor belt that cannot be switched off. Clear ten messages and—ping!—fifteen arrive, each demanding attention in increasingly shrill tones: “urgent,” “time-sensitive,” “gentle reminder.” (Gentle! Like a piano falling down the stairs.)
Inbox Zero, that shimmering productivity grail, is a mirage. The desert doesn’t end, it just sends you another notification.

A New Dialect

Email has developed its own peculiar language, somewhere between diplomacy and passive-aggression.

  • “Per my last email” translates roughly as: I already told you this, were you conscious?

  • “Circling back” means: I will not stop until you answer me, even if it takes the heat death of the universe.

  • And “Thanks in advance” is, of course, a hostage situation.
    We all know this, and yet we all collude. The inbox is a stage, and the performance is “polite efficiency,” while the subtext is: for god’s sake, just read the bloody attachment.

The Infinite Scroll

What unsettles me most is the paradox: the inbox is both infinite and immediate.
Every message feels like it must be answered now, yet there is no end-point, no finish line. Unlike a letter, it doesn’t sit solemnly on the doormat, waiting to be opened. The inbox is a slot machine that constantly refills itself. And like gamblers, we keep pulling the lever. Because maybe this time there’ll be something worth it.

The Spark in the Landfill

And sometimes there is.
Amidst the offers for cut-price office chairs, the software updates, the phishing attempts from “Gary,” there will be a real message. A note from a friend. A line of gratitude. A human voice breaking through the static. Those are the ones that remind me why we tolerate the absurdity. Proof that this landfill of obligation still conceals glimmers of connection.

Of course, I’ll probably forget to reply for a week. Not out of malice, but because I was busy deleting “Big Deals on Men’s Trousers.”

And so the cycle turns. Delete, archive, flag, delete again. A ritual, a farce, a treadmill. The inbox as modern life in miniature: infinite, insistent, absurd—and occasionally, against all odds, illuminated.

The Kettle Conspiracy


The Kettle knows

The kettle knows.
It doesn’t just boil water—it gauges urgency. It can smell lateness, taste panic, sense the sheer weight of a day balanced on those last two minutes. And it responds not with sympathy, but with spite.

On a Sunday morning, when the world is soft and slow and you’re not even fully dressed, the kettle is a sprinter. Whoosh, bubble, steam—done before you’ve even located the teabag. But on a Tuesday, when you’ve got exactly seven minutes to leave the house, find your keys, and not look like you’ve dressed in the dark? The kettle becomes geological. Whole landscapes could form while it mutters and stalls.

I’ve tried tricking it. Pretending I don’t care. Walking away, faffing with the post, acting casual—as though my entire survival doesn’t hinge on that mug of builder’s tea. But the kettle knows. It always knows.

There’s a moment, just before the boil, when it pauses. Like it’s considering whether to give in. A power play. A reminder of who’s really in charge here: not me, but the chrome jug with limescale scars and a plug that’s slightly loose.

And in that pause, I sometimes hear myself asking: is this what life is? Waiting for things that never hurry, precisely when you need them most?

Of course, then it clicks off.
And I drink.
And I’m late anyway.

A Scottish Poem about Mince and Tatties

Here's a short poem in Scottish dialect, about enjoying mince and tatties:

Mince an' tatties, mince an' tatties,
Haudin' us warm on a cauld winter's nicht.
A dish sae humble, yet sae richt,
Fillin' oor bellies, makin' us bricht.

Mince an' tatties, mince an' tatties,
Nae need for fancy, jist pure delight.
A comfortin' meal, aye juist right,
Tae end a lang day, an' mak it a' richt.

Mince an' tatties, mince an' tatties,
A simple pleasure, aye sae grand.
A taste o' hame, aye in demand,
A traditional treat, aye in oor land.

Mince an' tatties, mince an' tatties,
A dish sae Scottish, aye sae true.
Nae matter the weather, aye aye, it'll do,
Aye tae warm oor hearts, an' see us through.

Please note that this is a simple poem and it is not a perfect representation of Scottish dialect, and the usage may vary depending on the region



Here's a translation of the Scottish words used in the poem:

  • "Tatties" - Potatoes

  • "Mince" - Minced meat (ground meat)

  • "Cauld" - Cold

  • "Nicht" - Night

  • "Sae" - So

  • "Richt" - Right

  • "Fancy" - Elaborate

  • "Comfortin'" - Comforting

  • "Lang" - Long

  • "Hame" - Home

  • "Aye" - Yes

  • "Grand" - Great

  • "Scottish" - From Scotland

  • "True" - Authentic

  • "Weather" - Climate

  • "Oor" - Our

  • "Hearts" - Hearts

The poem is talking about how comforting and satisfying a meal of mince and potatoes can be, especially on a cold winter night. It also emphasizes on how this dish is simple, traditional and true to Scotland.